A few years ago, from a professional standpoint, I had an extremely important decision to make. I could either continue as a hands-on designer or take on more of a creative management role.
Both directions were extremely appealing. Management offered the potential for more financial rewards but as Andrew Carnegie prophesied, “my heart was in my work”.
I feared that wandering too far from the creative end of the sausage factory, might someday lead to my own extinction.
I graduated from Rochester Institute of Technology in 1984. Computers were just beginning to appear on the design horizon. We had access to a couple of computers in school but they were little use in the graphic design studio.
For the first few years of my career, typography involved either run-down type (Geotype) or commercial typesetting.
Many of you will remember, how galleys of type were received, run through a waxer (a machine that applied a thin layer of paraffin to the back of the photo paper of the typeset galleys). The galleys were then applied to hand ruled illustration board. Major corrections were made by reordering corrected galleys. For small changes (periods, commas, simple word swaps, etc.) a designer was forced to initiate “bird surgery” with a steady hand and a sharp X-acto blade.
I saw the first wave of old school designers wash out as Macintoshes entered the studio. These “designasaurs” were too set in their traditional ways, to see the computer tsunami approaching.
Around 1995, the Web rolled in and a second wave of headstrong creatives were pushed over the edge.
These drastic changes, in a significantly short time, provided me with the initiative to always keep one foot firmly planted in creative supervision–with the other foot firmly planted on the accelerator of my own creative machine.
I love quick creative bursts that produce unanticipated surprises. Like an all-in-one vitamin tablet, one a day is all that I need.
Here are a couple of tidbits from recent projects:
Recently, copywriter Jim Montgomery and I created a trade show print ad for client, Zmags. The technology company had developed a safari-themed booth. Mr. Montgomery’s copy and my graphic emphasized the fact that booth visitors, would safely enjoy a wildebeest-free environment. (This turned out to be true)
For the Andover Newton Theological School, I have been working on the “Think Outside the Pulpit” campaign–which introduces the notion that a career as a minister does not always mean standing in front of a Sunday morning congregation. Here is similar treatment that may someday make its way on to a T-shirt or iPad cover.
Although often misunderstood and in constant flux, graphic design is a wonderful profession and after 25+ years, I still enjoy the fun little details.—Doug.